I was recently given a copy of the APC Guide to Pibroch by its main compiler to look through to help give me a better understanding of how they believe Pibroch was performed a few[…]
Mac Mhic Alister’s Dead Lament - Part 3
The next motion in this pibroch is ambiguous, and requires of us a musical decision. The “Taolive Gear” motion is written by Campbell as such: This allows for a variety of interpretation. “Hindaento” - at[…]
Siubhal Sheumais
APC member Christopher Lee went into the studio with his friends Gavin Hardie (Uilliean pipes) and Justyna Krzyzanwska (vocals) and came out with this: a beautifully creative exploration of this tune. New ways of making pibroch[…]
In preparation for the upcoming season
Those of you who compete, you may want to take a look at Noa Kageyama‘s site today. It deals with performance slumps and the kind of growth mindset approaches that can be taken as you[…]
The End of the Little Bridge: Gesto’s setting – Part 1
Gesto’s setting of this battle tune presents rich opportunities for a creative artist. There are so many options! I find it alarming how quickly we become attached to one interpretation. What we come up with[…]
APC on the Road
We will be holding a workshop on the APC Guide to Pibroch on March 30, 2019, 9am - 5pm! It will be held in Lilitz, Pennsylvania in the US. This is the home of the[…]
Mac Mhic Alister’s Dead Lament - Part 2
Featured in the APC Guide to Pibroch, I am currently working through the piece in order to perform it next year at a number of venues. And, in the spirit of Learning Living Pibroch, I[…]